Two Hundred Years of Scares

On Friday, June 10, 2016, I received the manuscript of The Astronomer’s Crypt marked up with my copy editor’s notes. The date is auspicious and perhaps a little ominous, since on June 10, 1816, Lord Byron rented Villa Diodati near Lake Geneva in Switzerland. He stayed there with his physician, Dr. John William Polidori, and invited noted poet Percy Bysshe Shelley and Shelley’s fiancée, Mary Godwin to join them. The weather was unseasonably wet and cold that summer and the three were confined indoors. In that time, Mary Godwin wrote the first draft of Frankenstein while Byron started a work that Polidori would finish called The Vampyre. The summer was immortalized at the beginning of James Whale’s Bride of Frankenstein. Here we see Mary Godwin regaling Shelley and Lord Byron with a tale of gods and monsters.

Shelley-Godwin-Byron

Essentially the summer of 1816 at Villa Diodati marked the beginning of both modern horror and science fiction. It also marked the beginning of two classic tropes of horror fiction—the man-made monster and the vampire. Sure, the vampire existed in folklore before this, but it’s Byron and Polidori who unleashed the creature’s fictional potential.

In many ways, I see my novel Vampires of the Scarlet Order as a tribute to that summer two centuries ago. Vampires of the Scarlet Order It’s the tale of ancient vampires fighting man-made monsters. Of course, as in Mary Shelley’s Frankenstein, the men who create the monsters don’t fully understand the powers they invoke. Like Polidori and Byron’s vampires, the Scarlet Order vampires are at once frightening and seductive. If you haven’t already delved into this world, I hope you’ll click here to learn more about Vampires of the Scarlet Order.

While watching James Whale’s Bride of Frankenstein, I realized The Astronomer’s Crypt takes some of its imagery from the movie that reenacts the Villa Diodati gathering. Right in the opening scene, Elsa Lanchester as Mary Godwin talks about Frankenstein creating the monster on a stormy night at his mountaintop laboratory. In essence, The Astronomer’s Crypt is all about a monster running amok at a mountaintop laboratory! I saw other parallels in the movie as well, but revealing them would be spoilers at this early stage.

I think both horror and science fiction got off to an auspicious beginning two centuries ago. I hope the next two centuries will continue scare us and challenge us even as we dream of the future.